Fifty years ago, the Centre for Fine Arts was the hotbed of artistic activism in Brussels. From 28 May until 8 June of that year, artists and students occupied the central hall. Instead of waxing nostalgic about this contestation, BOZAR chooses to take stock of the global resistance movement in the sixties and look ahead.
To this day, May 1968 is still regarded as a cultural turning point, a symbol of freedom and revolt against old mores and institutions. Fifty years ago, the Centre for Fine Arts was the hotbed of artistic activism in Brussels. From 28 May until 8 June of that year, artists and students occupied the central hall. Instead of waxing nostalgic about this contestation, Bozar chooses to take stock of the global resistance movement in the sixties and look ahead. Which forms of cultural protest make a difference today? How can a cultural institution like Bozar open up even more to the city and civil society? And which role do artists play in this?
Bozar is handing all power to the imagination this year, with a comprehensive programme of exhibitions, concerts, debates, workshops and planned and unplanned encounters.
Bozar Occupied is an initiative of Bozar Agora. Part of the program was created in collaboration with Crosstalks.
